I used to think
there was at least one managerial quotation that was both memorable and amusing: when, one time,
some crusty old skipper, having been asked what he thought about his team’s poor execution
on the field, looked squarely into the TV camera and quipped, “I’m in favor of
it.” Meaning, their literal execution. But when I searched for the source of
that line earlier today, I discovered that a football coach—John McKay, then of
the Tampa Bay Buccaneers, had uttered it. (He’d actually called mass homicide
“a good idea,” but, same message.)
At any rate,
precisely because baseball managers never say anything of note, I was caught
off guard earlier this week when a member of that fraternity said
something that truly resonated with me. And that even alluded to a critically
acclaimed film.
The speaker was
Clint Hurdle, manager of the Pittsburgh Pirates. He was speaking in the aftermath
of his team’s 11-0 pounding that night by the Los Angeles Dodgers, the latest
loss in a precipitous August swoon by a ballclub that by nearly all measures
vastly outperformed expectations throughout the 2012 season’s first four
months. For the past fortnight, however, the team’s offensive output has been
sinking steadily while the pitchers' earned run average (ERA) has been
just as quickly rising.
Here’s what Hurdle
said:
“What does that guy
say in The Godfather? ‘This is the
life we’ve chosen’? This is the life we’ve chosen. It’s hard right now. Figure
it out. We’ve got to play better.”
Never mind that he got both the movie and the quote wrong. The film was The Godfather Part II, and the line was, “This
is the business we’ve chosen.” Never
mind, too, that by vaguely identifying the quote’s source as, simply, “that
guy,” Hurdle did vast injustice to a brilliantly drawn character—Hyman
Roth, the steely onetime business partner of Vito Corleone, as conceived by the
novelist Mario Puzo—and to the man who portrayed Roth in the Oscar-winning 1974
film. Never was the adage “those who can’t do, teach” so utterly disproven than
when the eminent acting coach Lee Strasberg turned Roth into one of the more indelible
screen presences of any film year—most notably in the scene Hurdle inexactly
referenced.
In that scene, a seething
but controlled Michael Corleone (played by Al Pacino) wants to know who
ordered the hit on a mobster who’d been a Corleone ally. He knows full well
that Roth gave the order, and Roth knows that he knows. But rather than
confirming his role in the murder, Roth—sitting wearily on the couch, looking well
past his prime in his unbuttoned shirt, his old-man chest spilling out—responds
with the story of how, when Roth’s mobster friend Moe Green had been gunned
down many years before—a hit that both Roth and Michael know damn well had been
the handiwork of Michael’s father, “I let it go. And I said to myself,” Roth
adds, “this is the business we’ve chosen. I didn’t ask who gave the order,
because it had nothing to do with business!”
First of all, go
find that scene on YouTube. It’s awesome. Second of all, I don’t blame you if
you deem the connection to baseball obscure. I mean, who ever ordered a hit on
anybody on the baseball diamond? And, steroids aside, where’s the criminal
connection? Yet I completely got what Hurdle was trying to say. Which
was this: Baseball is the life—the business—to
which Hurdle signed up. It can be an uplifting life, as it was through the month of
July, when the Pirates were threatening to overtake the division-leading Cincinnati
Reds and seemed likely to cap their first winning season in 20 years with a
playoff spot. Or, it can be a crappy life, as has been the case lately, with the
team playing so poorly and its breakdown so complete that even a winning
record no longer seems a lock.
Interestingly, too,
Hurdle, a former player, arrived in the big leagues in the 1970s as a can’t-miss
prospect, but he never achieved anything close to stardom. So, he has double-dipped when
it comes to the peaks and valleys of his chosen life—or business, if you
prefer.
What viscerally
struck me about Hurdle’s muddled reference to Hyman Roth, and idea of accepting one’s lot, might be apparent to anyone who remembers
my blog post of April 8, 2011. Which of course you don’t. Why would you?
Among the dozen or so people (forgive that optimism) who regularly visit this
blog, most aren’t baseball fans. In fact, I’ll be lucky if three or four people
read this post all the way through, given that “baseball” is its first
word. But, to refresh your memory (or to inform you, if you quickly switched Web
sites last April or fell asleep at your computer), that post , headlined “The Boys of
Bummer,” laid out in excruciating detail my then-41-year obsession with the
same Pittsburgh Pirates who lately have been tanking like Panzers under Allied
bombing during World War II.
In that post, I described
how what had begun as casual fandom at age 12, born of antipathy toward
the New York Mets, quickly and cancerously grew into a sick obsession in its
own right, characterized by and manifested in all manner of OCD behaviors and
laughably over the-top mood swings. Except that I’ve seldom laughed, and rather
have mostly been miserable, given the Pirates' aggregation over the years of (as I put it then) “on-field
mediocrity, front-office incompetence and hope-draining budgetary miserliness.”
So,
enter the 2012 season, which has thrown a big twist into the Six Stages
of Grief I typically experience during any given Pittsburgh Pirates campaign. Actually,
most years are dominated by Acceptance—resignation that the team is dreadful
and has zero chance at a winning record. (Not that I don't Bargain
for better, regardless, or Grieve when better never comes.) This year, however, per my
earlier allusion, the Pirates played four full months of pretty solid baseball. Even
at this writing, after the horrendous events of the last couple of weeks, they still stand
a better than even chance of beating that sub-.500 curse and concluding the
season with more wins than losses. This is where such grief stages as Shock (“They’re
winning?”), Denial (“It can’t last, right?”), and, lately, Anger (“Damn you for suckering me!") all figure prominently.
But
you know, I think Hyman Roth—or was it Clint Hurdle?—said it best when he observed,
“This is the business”—the life, whatever—“we’ve chosen.” By “we,” I mean
obsessive sports fans like me, whatever our particular poison might be in terms of sport or team. By
“chosen,” I really mean something closer to “temperamentally or perhaps chemically
devoted to.” It’s a consuming thing. It’s almost operatic, like the Grand Guignol of the Godfather saga—except that the stage
isn’t quite so grand. It's more rock-operatic, perhaps.
Whatever,
we can’t really help ourselves. Or at least I can’t. As Michael Corleone
himself exclaimed much later his criminal career, in a sequel, “Just when I thought I
was out, they pull me back in!” I spend each baseball offseason swearing I will change,
and sometimes, in the cold light of January, I feel as if I have. Even at my lowest ebbs, I try to be a
mature and reasonable adult. I really do. Just last night, at Lynn’s very strong urging
(shall we say) I bit back my sorrow and fury over a blown 3-0 Pirates lead for
long enough to truly enjoy a film and reception we attended in Washington.
But
tonight I’ll again be a bundle of nerves. The Pirates face off in St Louis against
a Cardinals team that looks all too certain to leapfrog them in the National
League Central Division standings and to claim the wild card playoff spot that
once seemed theirs for the taking. More important to me, there will be no winning record without at least 17
more triumphs. Will that rather
modest goal, at least, be achieved?
Unfortunately, disinterest isn’t an option for me. As always, the Boys of Bummer have got me by the, well, you know what they've got me by. Because this, you see, is the business I’ve chosen.